Bertrand, Ingrid. Genesis plural: Jenny Diski’s reconfiguration of God and his Word in only Human. In: English Text Construction, Vol. 8, no.2, p. 194-206 (2015). doi:10.1075/etc.8.2.03ber.

http://hdl.handle.net/2078.1/173232

Bertrand, Ingrid. Biblical Women in Contemporary Novels in English: From Margaret Atwood to Jenny Diski (Costerus), Brill-Rodopi: Leiden, 2020. 9789004390317. 370 p. doi:10.1163/9789004390317.

http://hdl.handle.net/2078/202477

Sparks and Lustrous Words: Literary Walks, Cultural Pilgrimages. Essays in Honour of Guido Latré, éd. Arblaster, Paul ; Bertrand, Ingrid ; Bragard, Véronique ; Delabastita, Dirk (Transversalités; 9), Presses universitaires de Louvain: Louvain-La-Neuve, 2019. 9782875588487. 475 p.

http://hdl.handle.net/2078.1/220213

Bertrand, Ingrid. The Figure of the Objectified Servant, from the Silent Biblical Maid to the 21st-Century Web TV Rebel. In: Shannon Wells-Lassagne et Fiona McMahon, Atwood and Adaptation, Palgrave, 2020 (Accepté/Sous presse).

http://hdl.handle.net/2078.3/220494

Bertrand, Ingrid. The Future and Past as Subversive Counter-Utopias in Atwood’s novel and Miller’s series "The Handmaid’s Tale". In: Wilhelms, K. et al., Autofiction as Utopia, Wilhelm Fink, 2019. doi:10.30965/9783846764060.

http://hdl.handle.net/2078/204692

Bertrand, Ingrid. Du personnage de conte de fées au héros du monomythe : les nombreuses facettes de Harry Potter. In: Laurent Déom et Jean-Louis Tilleuil, Le héros dans les productions littéraires pour la jeunesse (Structures et pouvoirs des imaginaires), l’Harmattan: Paris, 2010. 978-2-296-11071-7.

http://hdl.handle.net/2078.1/176894

Bertrand, Ingrid. Filling in What Was Left out : Voices and Silences of Biblical Women. In: Vanessa Guignery, Voices and Silence in the Contemporary Novel in English, Cambridge Scholars Publishing: Newcastle upon Tyne, 2009. 1443812471.

http://hdl.handle.net/2078.1/176895

Bertrand, Ingrid. From the Silenced Biblical Maid to the 21st-Century Web TV Rebel: The Protean Transformation of the Servant in Atwood’s "The Handmaid’s Tale" and its Hulu Adaptation. Adaptation and the Protean Poetics of Margaret Atwood (Université de Bourgogne-Franche Comté, Dijon, 01/02/2019).

http://hdl.handle.net/2078.3/227297

Bertrand, Ingrid. Anytime but Now, Anywhere but Here: The Future and Past as Subversive Counter-Utopias in Margaret Atwood’s The Handmaid’s Tale (1985) and its 2017 television adaptation . Elsewhere in Elsewhen – Autofiction as Utopia (Gnadenthal (Kleve), du 21/03/2018 au 23/03/2018).

http://hdl.handle.net/2078.3/200267

Bertrand, Ingrid. Audience Response Systems (‘clickers’) : How to Enhance Interaction with and between Students. BAAHE 2017 "Let’s Inter-Act! Innovative Teaching Practices in English Studies" (Université catholique de Louvain, 01/12/2017).

http://hdl.handle.net/2078.1/200269

Bertrand, Ingrid. 'Whatever is Silenced will Clamour to be Heard, though Silently’ : Margaret Atwood's 'The Handmaid's Tale,' or the Story of a Reticent Rebellion. 21st World Congress of the International Comparative Literature Association (Vienne (Autriche), 21/07/2016).

http://hdl.handle.net/2078/176896

Bertrand, Ingrid. "And They Gave to the Silenced a Voice" : Contemporary Women Writers Re-Imagining the Divine . Reading Spiritualities. Constructing and Representing Spiritualities through the Medium of Text : Sacred, Literary and Visual (Lancaster, 20/01/2006).

http://hdl.handle.net/2078.1/176897

Bertrand, Ingrid. Filling in what was left out : voices and silences in contemporary novelistic reconfigurations of biblical women, prom. : Latré, Guido, 28/04/2011.

http://hdl.handle.net/2078.1/74051