Teacher(s)
Language
French
Content
The course explores each year in a critical and reflexive way certain crucial aspects of film productions (the implications of digital technology, the documentary component and its multiple appropriations, the ecological dimension of cinema, the dramaturgical and scenaristic aspects...)
Teaching methods
Type of teaching
- Lectures
- Presentation of visual documents
- Case studies
- Call for reactions, comments, reflection
- Personal notes
- Texts and documents available on I-campus (bibliography, complementary texts)
Evaluation methods
Group work in two parts on the same film production articulating the two parts of the course (dramaturgical aspect and cinematographic staging). In the event of a second session, the same conditions apply. The marks for the two parts of the work are indissociable and the success of one of the two parts in the first session (June), despite a failing final mark, will not exempt the group from representing the entire work in the second session (August).
Other information
Many of the themes can be developed in final essays of 60 and 120 master program
Faculty or entity
Programmes / formations proposant cette unité d'enseignement (UE)
Title of the programme
Sigle
Credits
Prerequisites
Learning outcomes
Master [120] in Multilingual Communication
Master [120] in French and Romance Languages and Literatures : French as a Foreign Language
Master [120] in Communication
Master [120] in Information and Communication Science and Technology
Master [120] in History of Art and Archaeology: Musicology
Master [120] in Translation
Master [60] in Information and Communication
Advanced Master in Visual Cultures
Master [120] in Communication
Master [60] in History of Art and Archaeology: Musicology
Master [120] in Journalism